Spictacle II: La Tortillera
Spictacle II: La Tortillera
Spictacle II: La Tortillera
“On February 13, San Antonio’s Department of Arts & Culture removed Xandra Ibarra’s Spictacle II: La Tortillera, 2014, from the opening of a group exhibition at the Centro de Artes. The four-minute video, deemed “obscene” by the city, presents the artist in character La Chica Boom as she performs one of her “spictacles”—Ibarra’s coinage for “camp spectacles of Mexican and Mexican-American myths that render the colonial gaze laughable.” The decision to remove the work has been criticized by artists, supporters, and groups including the National Coalition Against Censorship.”
“On February 13, San Antonio’s Department of Arts & Culture removed Xandra Ibarra’s Spictacle II: La Tortillera, 2014, from the opening of a group exhibition at the Centro de Artes. The four-minute video, deemed “obscene” by the city, presents the artist in character La Chica Boom as she performs one of her “spictacles”—Ibarra’s coinage for “camp spectacles of Mexican and Mexican-American myths that render the colonial gaze laughable.” The decision to remove the work has been criticized by artists, supporters, and groups including the National Coalition Against Censorship.”
“On February 13, San Antonio’s Department of Arts & Culture removed Xandra Ibarra’s Spictacle II: La Tortillera, 2014, from the opening of a group exhibition at the Centro de Artes. The four-minute video, deemed “obscene” by the city, presents the artist in character La Chica Boom as she performs one of her “spictacles”—Ibarra’s coinage for “camp spectacles of Mexican and Mexican-American myths that render the colonial gaze laughable.” The decision to remove the work has been criticized by artists, supporters, and groups including the National Coalition Against Censorship.”
Spictacle II: La Tortillera
Spictacle II: La Tortillera
Spictacle II: La Tortillera
“On February 13, San Antonio’s Department of Arts & Culture removed Xandra Ibarra’s Spictacle II: La Tortillera, 2014, from the opening of a group exhibition at the Centro de Artes. The four-minute video, deemed “obscene” by the city, presents the artist in character La Chica Boom as she performs one of her “spictacles”—Ibarra’s coinage for “camp spectacles of Mexican and Mexican-American myths that render the colonial gaze laughable.” The decision to remove the work has been criticized by artists, supporters, and groups including the National Coalition Against Censorship.”